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dimanche 11 janvier 2015

Dimanche 11 janvier 2015 à 20h

Radia Show 510 : Second Sketch for Ascent and Descent/A Secret Postscript (by Resonance FM / London)

par Anne Laure

A 20h :
Show 510 : Second Sketch for Ascent and Descent/A Secret Postscript (Resonance FM)

The Resonance Radio Orchestra was up in Scotland in August 2014 when Resonance104.4fm broadcast Remote Performances, live from Outlandia, Glen Nevis, in a collaboration between the radio station and artists London Fieldworks. This live radiophonic work is called Second Sketch for Ascent and Descent. It was written, arranged and produced by Ed Baxter, and features Ed Baxter (bass guitar), Tam Dean Burn (voice), Ewen Campbell (whistling), Miriam Iowerth (xylophone), Peter Lanceley (electric guitar, singing), Charlie Menzies (fiddle), and Michael Umney (piano). In November 2014 we asked eminent American country singer Bob Cheevers to read a script for a new work. At the end of that recording he improvised a fragmentary text which – since it fitted perfectly with the theme, unbeknownst to Bob – we’ve now combined with the other Remote Performances material as A Secret Postscript.

photos : Peter Lanceley at Outlandia (photo by Jo Joelson)
& Tam Dean Burn (photo by Bruce Gilchrist)

http://resonancefm.com/ http://resonanceradioorchestra.wordpress.com/ http://www.remoteperformances.co.uk/ http://www.outlandia.com/ http://www.londonfieldworks.com/

A 20h30 : l’Archive
Show 211 : Nine Nights in Newcastle

replacement programme

The AV festival 2008 in Newcastle included three festival radio stations. To avoid having to program nine nights with playlist material I offered to build a sound installation that would fill the radiospace with its live output. The installation was loosely based on Lee De Forest’s invention of the vacuum tube by only using feedback between audio and radio equipment to create sounds.

Two of the three festival radio stations (Resonance FM at MIMA in Middlesbrough and Soundscape FM in Sunderland) were created especially for the festival, the third was a recently established community radio station in Newcastle. After two nights of broadcasting the sound installation the Newcastle station became too concerned about the loyalty of their listeners and reverted back to their usual europop night loop. Kunstradio’s Heidi Grundmann commented that she was surprised that we got that far at all and declared our attempts revolutionary.

So here are the nine nights in Newcastle again in condensed format, ready to test the loyalty of your listeners, whatever that is.

A show brought to you by Knut Aufermann for Resonance.FM London

More sounds at http://knut.klingt.org/installations.html