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samedi 12 juillet 2014

Dimanche 13 juillet à 10h : Radia n°484

Inland by Fernando Fadigas for Rádio Zero / Lisbon

par Anne Laure

A 10h :
Show 484 : Fernando Fadigas, Inland, for Rádio Zero / Lisbon

"This soundscape composition is divided in two parts and is part of my sound research at the Faculty of Fine Arts in Lisbon during 2013.
Undercurrent is about water sounds and is taken from an audiovisual installation shooting in a river showing a journey between two points A to B, after a deep dive inside an undercurrent river.
InLand is a piece about earth sounds space and matter but also about internal and external space. A representation of different acoustic layers and sound environments. In this piece i processed different noises and samples taken from the interior of the earth. Many recordings with a real buried microphone and other substances like stone collisions, river undercurrents, sea waters, sand, fire, ashes, organic debris, frozen microphones and other deep acoustic phenomenas. It’s also a live improvisation and noise modulation of a boiling experience taken from a portable laboratory set up on stage. For sound processing i used Laptop, Ableton Live, Max/Msp, analog circuits and synthesizers like Mute Synth and Korg Monotron Delay. Premiered at EMS13, Electroacoustic Music in the Context of Interactive Approaches and Networks at CGD-Culturgest, Lisbon 2013."

Fernando Fadigas is an audiovisual artist and noise musician. With preferences for collective works, site-specific projects and sound improvisation, their individual works lie in the relationship of sonic arts and image with exploitation of minimal soundscapes, noise, field recordings and the acoustic properties of certain spacesMember of the art collective “Pogo” since 1998 producing and developing soundtracks for Theatre, Multimedia Performances or Interactive Installations and also curating music and art events.

www.fernandofadigas.com

A 10h30 : l’archive
Show 384 : Mahayuga de Loise Bulot pour Radio Grenouille

Une traversée souterraine et aérienne pour écouter des forêts luxuriantes, des déserts et des univers glacés… Entendre et survoler une succession de paysages intérieurs, des chrysalides vibrantes aux éclosions lumineuses, des cris d’animaux sauvages aux chants terrestres…

Loïse Bulot compose à partir d’assemblages de sons récoltés au fil du temps.
Sa pratique de la musique électroacoustique intègre les instruments du monde et le field-recording.

Sources :
Dilrouba, xylophone, piano, koto, udu, voix, synthétiseur analogique, traitements sonores et enregistrements divers Merci à Serge Bulot pour les enregistrements de tablas, kaïza, udu, xylophone.
Citations : Musiques du Cameroun- Baka Pygmy music- et du Vietnam- Ca Tru & Quan Ho, traditional music-

Lien : www. soundcloud/loisebul.com